Pie Kukshout

Pie Kukshout
COURTESY UNIVERSITY OF MANITOBA ARCHIVES PHOTO GEORGE SWINTON

Biography

Pie Kukshout (1911–1980) was a sculptor and ceramicist who was born in Hanningajuq (Garry Lake), NU [1]. Kukshout moved first to Tikirarjuaq (Whale Cove), NU, and then to Kangiqlinq (Rankin Inlet), NU, to escape inland starvation [2]. Known for his imaginative images, he has been called “one of the most underrated artists to emerge from the [Rankin Inlet Ceramics] project” [3].

Kukshout worked with stone as a carver, and when the government began funding the Rankin
Inlet Ceramics Project in the 1960s following the closure of the mine, Kukshout was already
approaching seventy. Nevertheless, he became one of the project’s first participants, and quickly transferred his stone carving experience to the clay mastery for which he is best known.

Two Faced Head with Climbing Figure and Bird (c. 1970) is an excellent example of the
sculptural approach to clay for which the Kangiqliniq ceramicists became known. Although
bureaucrats in Ottawa wanted the artists to produce vessels, fearing that ceramic sculptures could have an adverse effect on the stone carving market [4], Kukshout, alongside his collaborators, continued to produce sculptural work. Here, the face of an elderly man bursts out of the forehead of the younger man, showing the evolution of time on the human body, perhaps in a portrait of the artist’s own changing face. The surface on the back of the two front-facing heads could have been simply a textural representation of hair, but Kukshout has used this real estate to depict a figure climbing to a flying bird, possibly symbolically representing his own struggles to capture his subject matter during his artistic journey.

Kukshout’s work has been featured in numerous exhibitions across Canada and the United
States, most recently in the 2008 exhibit Our Land: Contemporary Art from the Arctic at the
Peabody Essex Museum in Salem, Massachusetts. His works appear in the public collections of the Winnipeg Art Gallery in Manitoba, the Art Gallery of Ontario in Toronto, and the Smithsonian Museum of Natural History in Washington, DC, among others.



This project is funded in part by the Government of Canada.
Ce projet est financé en partie par le gouvernement du Canada.

Pie Kukshout (1911–1980) était un sculpteur et céramiste de Kangiqliniq (Rankin Inlet), au Nunavut. Sculpteur sur pierre pendant la majeure partie de sa vie, il a commencé à travailler la céramique dans ses soixante-dix ans lorsqu’il a rejoint le Projet de céramique de Rankin Inlet en tant que l’un de ses premiers participants. Kukshout est devenu célèbre pour ses récipients en argile imaginatifs incorporant des images de visages humains et d'animaux ainsi que pour son approche sculpturale de la céramique. Son travail a été présenté dans des expositions partout en Amérique du Nord et est conservé dans des collections publiques telles que la Galerie d'art de Winnipeg au Manitoba et le Musée national d'histoire naturelle Smithsonian à Washington, DC.
ᐱ ᑯᒃᓴᐅᑦ (1911-1980) ᓴᓇᖕᖑᐊᖅᑎᐅᓚᐅᖅᑐᖅ ᐊᒻᒪᓗ ᔭᕐᕋᓕᐅᓲᖅ ᑲᖏᖅᖠᓂᕐᒥᑦ, ᓄᓇᕗᑦ. ᐅᓇ ᐅᒃᑯᓯᒃᓴᓕᖕᓂᒃ ᓴᓇᖕᖑᐊᓲᖅ ᐃᓅᓯᓕᒫᒥᓂ, ᓴᓇᖃᑦᑕᓕᓚᐅᖅᑐᖅ ᔭᕐᕋᓂᒃ 70-ᖏᓐᓂ ᐅᑭᐅᖃᓕᖅᖢᓂ ᐃᓚᐅᓕᓚᐅᕋᒥ ᑲᖏᖅᖠᓂᕐᒥ ᔭᕐᕋᓕᐅᖃᑦᑕᖅᑐᓂᒃ ᑕᐃᒪᓗ ᓯᕗᓪᓕᐅᖃᑕᐅᓚᐅᖅᑐᖅ ᐃᓚᐅᓪᓗᓂ. ᑯᒃᓴᐅᑦ ᖃᐅᔨᒪᔭᐅᓕᑦᑎᐊᖅᓯᒪᔪᖅ ᐃᓱᒪᑐᔫᓂᖓᓂ ᒪᕋᕐᓂᒃ ᐊᑐᖅᖢᓂ ᐃᓚᓕᐅᑎᓪᓗᒍ ᐃᓱᒪᒋᔭᑐᐃᓐᓇᒥᓂᒃ ᑮᓇᖑᐊᕐᓂᒃ ᐊᒻᒪᓗ ᓂᕐᔪᑎᖑᐊᕐᓂᒃ ᐊᒻᒪᓗ ᓴᓇᖕᖑᐊᑦᑕᖅᖢᒋᑦ ᔭᕋᓕᐊᒥᓄᑦ. ᓴᓇᔭᖏᑦ ᓴᕿᔮᖅᑎᑕᐅᓯᒪᔪᑦ ᑕᑯᔭᒐᖃᕐᕕᖕᓂ ᓇᓂᑐᐃᓐᓇᖅ ᓄᐊᑦ ᐊᒥᐊᓕᒐᒥ, ᐊᒻᒪᓗ ᐃᓂᖃᖅᑐᑦ ᓄᐊᑕᐅᓯᒪᕕᖕᓂ ᓲᕐᓗ ᕕᓂᐲᒃ ᓴᓇᖕᖑᐊᖅᓯᒪᔪᓂᒃ ᑕᑯᔭᒐᖃᕐᕕᒃ ᒫᓂᑑᐸᒥ ᐊᒻᒪᓗ ᓯᒥᑦᓱᓂᐊᓐ ᑕᑯᔭᒐᖃᕐᕕᒃ ᐊᒻᒪᓗ ᓄᓇᒥᐅᑕᕐᓂᒃ ᐃᑦᑕᕐᓂᑕᓂᒃ ᒍᐊᓯᖕᑕᓐ, ᑎᓯ.

Artist Work

About Pie Kukshout

Medium:

Sculpture

Artistic Community:

Kangiqliniq (Rankin Inlet), Nunavut, Inuit Nunangat

Gender:

Male

Date of Birth:

Artists may have multiple birth years listed as a result of when and where they were born. For example, an artist born in the early twentieth century in a camp outside of a community centre may not know/have known their exact date of birth and identified different years.

1911

Date of Death:

Artists may have multiple dates of death listed as a result of when and where they passed away. Similar to date of birth, an artist may have passed away outside of a community centre or in another community resulting in different dates being recorded.

1980